Self portrait 3

The last of the self portraits! This one’s directions were just “anything [we] think is interesting,” and I find profiles to be interesting because they can look almost impromptu, like you’ve sketched the person while they were in the middle of something else. Except in this case, I sketched myself. So.

Anyway, this one is also graphite, and to keep up the pattern of using a different technique for each self portrait, this one involved gesture drawing strokes to create the shapes and forms, lights and darks, and no blending or highlight-pulling with erasers. It’s also my favorite of the three, because I think it looks most like me naturally, as opposed to me posed.

 

 

Self portrait 2 – weird face

The second self portrait in the series was to be of a silly, sad, angry, or otherwise odd face. I chose to draw this quizzical expression, mostly because I thought the way the facial muscles pulled around the eyebrows, nose, mouth, and chin looked cool. This is also done in graphite with a hatching technique for shading.

 

Self portrait 1

This is the first in a 3-part series of self portrait assignments. Each is supposed to show a different face or expression. This first one shows just a straight expression. For this I used my graphite pencils, which have been sorely neglected this term. Also used were erasers to pull out lights and highlights in the hair, and dry paint brushes for blending on the face (since I didn’t have any clean big tortillons, an early attempt with Kleenex proved nonviable, and I didn’t want to leave finger-streaks in the graphite).

 

Landscapes – sketchbook assignment 6

This assignment was simply to find four different landscapes and sketch them, one of which will be developed into a final landscape drawing. I’m leaning toward the last one, which is of a beach in Newport, OR (I lived in Oregon for two years before moving to NC), and that in my photo of it has some cool shadows on the sand that I kind of really want to draw.

Anyway, here are the four: the Traunsee in Austria, a bridge in Newport, a view of the Great Salt Lake from Antelope Island, and the Newport beach.

And just for fun, the photo of the beach that I will ultimately be working from is at the top.

Contour, mass, & volume – sketchbook assignment 4

These sketchbook pages explore three different ways of creating the illusion of volume and mass with 2D media. Four sketches demonstrate creating volume and depth by using cross-contour lines to reveal not just outlines of a form, but the various shapes that make up its surface. Another four sketches show volume with dramatic light and dark contrasts, gotten by first toning the paper to a medium gray with charcoal, then pulling out lights with an eraser, and finishing by developing the shadows. The last four show form and suggest volume by developing only the negative space around an object, in my case a dining chair positioned at different angles.

contour linesnegative space

You can see in the third set of sketches where I messed up pretty dramatically on one chair area and had to erase the best I could. Result: ghost chair!